The Pacific Symphony: A New Era Under Alexander Shelley

Pacific Symphony is entering a transformative phase in its history. Following the esteemed 35-year tenure of Music Director Laureate Carl St. Clair, Alexander Shelley steps in as the Artistic and Music Director Designate, a role that fills a significant leadership position vacated by only the third music director since the symphony’s inception in 1978. This transition signifies not only a new direction for the symphony but also the continuation of a rich legacy in Laguna Beach, where St. Clair remains engaged, conducting multiple concerts this season, including a notable presentation of Puccini’s “Turandot.”

As Shelley officially takes the helm in the upcoming fall season, the anticipation is mounting, particularly for his debut on January 15-17, 2026. One of the highlights will be a stunning rendition of Stravinsky’s “The Firebird,” which promises to transport audiences into a world filled with enchantment and mythos. The performance will feature not only a complete orchestral score but also innovative visual elements that explore the ballet’s dramatic narrative, adding an immersive experience for attendees.

The concert program will also honor America’s musical heritage, beginning with John Adams’ exhilarating piece, “Short Ride in a Fast Machine.” The evening will continue with the lush Violin Concerto by Erich Wolfgang Korngold, performed by rising American violinist Aubree Oliverson. Both composers, along with Stravinsky, share a unique connection to California, marking them as prominent figures in the American classical music landscape.

Korngold, who fled Europe to escape totalitarianism, became a defining voice in Hollywood after arriving in California. Understanding his journey enhances appreciation for his music, particularly the Violin Concerto, which he composed as a form of creative rebirth following the fall of the Nazi regime. “He defined the sound of Hollywood,” Shelley noted, emphasizing Korngold’s contributions to film music and his illustrious legacy marked by Academy Awards for his compositions.

The immersive experience of “Firebird” will be a centerpiece of Shelley’s vision for engaging diverse audiences. To make the ballet accessible and entertaining, Shelley integrates visual storytelling into the performance. As he shared an anecdote about his children’s fascination with a Bolshoi Ballet film version, he recognized the power of visuals in understanding abstract narratives conveyed through dance and music. The combination of live orchestration with compelling visuals amplifies the storytelling aspect of Stravinsky’s work and promises to draw in even the youngest of audiences.

In addition to the spectacular performances planned for early 2026, Shelley will return in May to conduct another classics program that further celebrates American history in its 250th year. This musical journey will align perfectly with the symphony’s annual July 4 concert, marking a significant milestone in the country’s history while also showcasing the components of Shelley’s artistic vision for the ensemble’s future.

For those looking to witness this exciting chapter in Pacific Symphony’s story, tickets and further details can be found at PacificSymphony.org. As the symphony embarks on this remarkable journey under Shelley’s guidance, it invites audiences to experience the magic of classical music like never before.